安徒生剧本范文第1篇

汉斯・克里斯汀・安徒生是著名的丹麦童话作家和诗人，以他的童话故事闻名世界，代表作包括《小锡兵》《冰雪女王》《小美人鱼》《拇指姑娘》《卖火柴的小女孩》《丑小鸭》等等。

安徒生生前，被高度赞扬给全世界的孩子带来了欢乐，并曾得到皇家的致敬。他的诗歌和故事已经被译为150多种语言，成千上万册童话书在全球陆续发行出版。他的童话故事还激发了大量电影、舞台剧、芭蕾舞剧以及电影动画的制作。

生平：

安徒生于1805年出生在丹麦的小镇欧登赛，当时的他日子过得并不好。

他的父亲体弱多病，他的母亲则靠洗衣服维持生计。虽然他母亲没受过高等教育，但是因樗很迷信，所以带安徒生了解了许多民间传说。

这使得他在小小年纪就热爱故事、剧本和戏剧。这些爱好与安徒生对文学的热爱相互结合，最终使他成为一位著名的作家。

在父亲于1816年去世之后，安徒生便被迫开始工作。他曾一度以裁缝师为职，之后又在烟草工厂上班。

14岁时，他搬到哥本哈根，成为一名歌手。在安徒生变声之后，皇家剧院的一位导演便安排安徒生回学校念书。

安徒生以帮一家当地的杂志撰写剧本和创作诗歌开始了他的写作生涯。

1835年，他以《即兴诗人》一书打入了小说创作的领域。这本小说的情节是安徒生许多作品的根基。

总的来说，安徒生的故事主要是讲述主人公在追求幸福的同时还不得不面对许多问题。

尽管他在小说创作上颇为成功，但是将名气带给汉斯・克里斯汀・安徒生的还是儿童故事。

Andersen’s Most Encouraging Well-known Sayings

安徒生最励志的名言

Nothing is too high for a man to reach， but he must climb with care and confidence.

对一个人而言，只要谨慎自信，没有什么是高不可攀的。

To be of use to the world is the only way to be happy.

对这个世界有所助益是获得快乐的唯一途径。

Every man’s life is a fairy tale written by God’s fingers.

每个人的人生都是上帝用手指创作的童话。

Life is like a beautiful melody， only the lyrics are messed up.

生活就像一段美妙的旋律，只有歌词是错乱的。

Happy domestic life is like a beautiful summer’s evening； the heart is filled with peace， and everything around derives a peculiar glory.

幸福的家庭生活像一个美妙的仲夏之夜；内心安宁，身边的一切都闪耀着独特的光芒。

Where words fail， music speaks.

语言苍白无力时，音乐就开始诉说。

安徒生剧本范文第2篇

今天，我翻开了《他让嘲笑见鬼去》这本书，同时也让我了解到著名童话大师安徒生一生的经历是那样的坎坷不平，一直受到人们的嘲笑。

安徒生出生在丹麦的一个城市，那里分为贫民区和富人区，。安徒生地家庭十分穷苦，小时候，他没有朋友，同龄孩子都经常嘲笑安徒生。，还称他为丑小鸭、爱哭鬼等，他爸爸室一位鞋匠，但很喜欢读书，给安徒生将了《一千零一夜》地故事，将莎士比亚的剧本，从此安徒生迷上了剧本与童话，每天都沉浸在自己地幻想当中，它想当一名歌唱家、演员、剧作家，便想方设法地来到了哥本哈根，经过多次碰壁。我看着他满怀希望地去当演员，但都被拒绝了，我看着他的嗓子被歌唱家看重，嗓子却又毁了，我看着他又去当剧作家，最后还是失败而归。我的心情一下子就到达了低谷，心里十分沉重，泪水不由自主地在眼眶里打转儿，令我十分惊异的是他竟然坚持下来了，好运气也随之到来，一位好心的先生西林把他送到一所教会学院去，安徒生虽然很认真，但仍然就经常被老师和同学嘲笑，我完全能体会出当时他内心的痛苦，但他仍然坚持下来了，他心中只有一个念头：让嘲笑见鬼去吧！安徒生爱上了写诗，但校长发现后，狠狠地吧安徒生批评了一顿，只因为他写的诗总是得不到好评，我不禁想：这个校长可真自私呀！安徒生的诗却得到了西林他们的肯定，他开始写诗歌、写小说了。他写的书卖得很快，那些为人却处处写诗来嘲笑他、打击他，我心想：为了自己的地位竟这样对待安徒生，但后来也不得不承认他写的好，但安徒生写上童话后，他又陷入了孤立无援地地步，他坚持下来，终于成了世界著名地童话家。读了这本书，我感慨万千，安徒生放纵梦想，忍受各方面地嘲笑，不停创作，终于在全世界流传。为什么他能写出这么优秀的作品？那是因为他拥有 丰富地想象力，为什么安徒生能坚持写童话？因为他有自信。是的，让嘲笑见鬼去，在生活中也是一样，只要你战胜了嘲笑与白眼，那么还有什么东西能抵挡我们前进的道路呢？

读了《他让嘲笑见鬼去》这本书，我终于明白嘲笑并不可怕，只要你又自信心、决心，就一定会战胜困难与嘲笑。

安徒生剧本范文第3篇

From very humble1 beginnings, Hans Christian Andersen became one of the world's best loved storytellers. The Emperor's New Clothes, Thumbelina, and The Ugly Duckling (小鸭) are the titles of children's stories that should ring a bell(大受欢迎) with all of us. His 156 different stories are the most translated fiction in history. Even now, 200 years after his death,his stories are being told and re-told all over the world.

Andersen was born in a one-room house in Odense, Denmark on April 2,1805.His father was a shoemaker and his mother had been a washerwoman before she married Hans' father.As for the facts about his family,Andersen wrote much about them in his autobiography （自传）. His father died when Hans was only eleven years old. Young Andersen was wasting his time in school,daydreaming( 空想，白日梦 ) about the theater and the stories he would imagine.His mother sent him to work in a tailor's shop and later a tobacco factory to help support the family.Unhappy with these jobs,he left home at the age of fourteen to seek his fortune2 in Copenhagen.He nearly starved3 to death trying to earn a living as an artist, actor, dancer and singer.

Jonas Collin, a director of the Royal Theater and an influential （有影响的）govern- ment official, noticed Andersen when he was 17.Collin had read one of Andersen's plays and saw that the young man had talent （天才）. Collin sent him to a school near Copenhagen and eventually arranged private tutoring（私人教师）in Copenhagen.In 1828,at age 23, Andersen entered university in Copenhagen. Andersen began to be published in Denmark in 1829.In 1833 the king gave him travel money and he spent16 months traveling through Germany,France,Switzerland and Italy.As Andersen traveled he wrote many books about his experiences. Andersen wrote three different books about his own life. Some of his plays were big hits in Denmark and Danish children still sing some of his poems set to（为……设置背景）music. His best known stories were published between 1835 and 1850. Some are his own creations and others are his re-tellingof previously known Danish folk tales（民间故事）.

Andersen considered himself ugly all his life. He was tall and thin with a long nose. It was this self-view that inspired The Ugly Duckling. Andersen proposed（求婚） to several women during his life and was rejected4 by all of them.In spite of his lonely life he was able to create some of the most wonderful stories ever written. Andersen died on August 4, 1875.

注释：

1．humble adj．地位低下的

2．fortune n．好运，成功

3．starve vi.挨饿

4．reject vt．拒绝……的求婚

安徒生出身非常卑微，但他却成了世界上最受喜爱的作家之一。《皇帝的新装》、《拇指姑娘》和《丑小鸭》都是非常受大家喜爱的儿童故事。他所写的156个故事是历史上被翻译次数最多的作品。即使在其去世200年后的今天，他的作品还在世界各地被一遍遍地传诵。

1805年4月2日，安徒生出生在丹麦欧登塞一个只有一间房子的小屋里。他父亲是名鞋匠，而母亲出嫁前一直是个洗衣妇。关于家庭的这些情况，安徒生在自传中有过许多描述。安徒生年仅1l岁时，父亲就死了。小安徒生在学校里打发时光，成天只想着自己虚构的戏剧和故事。为维持家中的生计，母亲起初把他送到一家裁缝店干活，后来又让他到烟厂做工。安徒生并不喜欢这些工作，14岁那年他离家到哥本哈根寻找好运。他想通过当过艺术家、演员、舞者和歌手来谋生，为此却几乎饿死。

安徒生剧本范文第4篇

Like the Ugly Duckling, born in a humble[粗陋的]duck-yard yet destined to become a swan, Andersen was born in the city of Odense, where the family shared a single room. There was always food, but never quite enough; there were books on the shelf, but no money for grammar school.

Tall and gawky[笨拙的], ill at ease with other children, Andersen spent his time reading, dreaming, sewing costumes out of scraps[废料] for his puppet[木偶] theater, and haunting the doorway of the city’s theater whenever traveling players came to town. He began writing at an early age, but his true ambition was to perform on stage as an actor, dancer, or singer. In 1819, at the age of 14, he traveled alone to Copenhagen in search of his fame and fortune.

Despite the hardships he endured and the humiliations he suffered through, the young Andersen was thrilled to be on his way to a theatrical career… or, so he thought. He practiced scenes from famous plays, tried his hand at writing a tragedy, and began to study dance at the Royal Theater’s Ballet School. But, by the age of 17 his voice had changed; his gawky physique[体形] had proven unsuitable for ballet. He was dismissed from school, informed that he had no future on the stage.

Another youth than Andersen might have crumbled[崩溃] under this blow, but throughout his life he possessed a remarkable degree of confidence, and never lost faith in his worth, no matter how often he faced rejection.

With the help of Jonas Collin, a powerful court official and the financial director of the Royal Theater, Andersen was sent away to grammar school in the town of Slagelse for four years. After his return to Copenhagen, Andersen sat down in his little attic[阁楼] room and wrote his first book, A Walking Tour from the Holmen Canal to the Eastern Point of Anger. This clever and fantastical[幻想的] work, written when he was just 22, follows a young poet through the streets of Copenhagen, over the course of a single night. The book was a hit, quickly selling out its entire print run.

He began to write fairy tales at the age of 29, with great excitement. A volume containing his first four tales was published in May, 1835. Andersen wrote altogether 210 fairy tales during the course of his life. The tales were translated across Europe, then made their way around the world, making him the best-known Scandinavian writer of his age.

It could be quite impossible today to fully understand the sensation these little stories caused, for nothing quite like them had ever been seen in Danish literature. Across Europe the field of children’s fiction was still in its very early days, still dominated by dull stories, intended to teach and inculcate[劝导] moral values. Andersen’s magical tales were rich as chocolate cake after a diet of gruel[稀粥], and the narrative voice spoke familiarly and warmly to children, rather than preaching[布道] to them from on high. They are comical and cynical[讽刺的], rather than morally[道德上] instructive. And unlike the folk tales collected by the Grimms, set in distant lands once upon a time.Andersen set his tales in Copenhagen and other familiar, contemporary[当代的] settings, mixed fantastical descriptions with common ordinary ones, and invested everyday household objects with personalities and magic.

Even when you grow up, reading Andersen’s stories with abridged[删节的] and altered versions can be a surprising experience. He wrote children’s stories into which they carefully, skillfully embedded[内含的] comedy, social critique[批评], satire[讽刺文学], and philosophy aimed atreaders. He created tales that are read and loved and told anew by each new generation. His style still inspires writers, artists, and dramatists to this day.

In 1867, when he was 62 years old, Andersen returned to Odense. A choir[唱诗班] sang, and the entire city was illuminated[用彩灯装饰] in his honor. “Astar of fortune hangs above me, Andersen once wrote. “Thousands have deserved it more than I; often I cannot understand why this good should have been vouchsafed to me, among so many thousands. But if the star should set, even while I am penning these lines. Be it so still I can say it has shone, and I have received a rich portion[部分]. Andersen died in 1875. His stories live on.

汉斯•克里斯琴•安徒生的人生在某些方面就如同一个童话：他是一个穷鞋匠的儿子，去世时则是一位富足名流，在全球声名远播，是国王与女王们的密友。尽管现在安徒生一般被视为儿童文学作家，但在他的时代，他也因别的文学作品闻名遐迩，其中包括6部小说、5部游记、3部自传以及众多诗歌与戏剧。同样，在阅读丹麦文原作时，人们会发现它更加深奥，更有内涵，远远不是各种翻译、复述和媒体改编作品中的简易儿童故事可比。作者并非叙述仙人秘语的天真之士；他是一位严肃的艺术家，一位笔法高超的文学巨匠，一位精明细致、善于研究人性与19世纪丹麦社会状况的观察家。

就像出生于粗陋的鸭圈但注定要成为天鹅的“丑小鸭”一样，安徒生出生于丹麦的欧登塞市，一家人挤在一个单间里生活。家中虽然不曾断粮，但总不怎么够吃；书架上总有书看，但家里没钱供他上语法学校。

安徒生个子高高，举止笨拙，与其他小孩呆在一起时老不自在，所以他将时间花在读书、做梦，和用碎布为他的木偶剧娃娃缝制衣服等事情上；每当流浪艺人来到他所住的城镇时，他还会在市剧院的走廊上流连。他年纪轻轻就开始写作，但他真正的梦想是成为演员、舞蹈家或者歌唱家登台献艺。1819年，14岁的他独自前往哥本哈根寻求功名。

虽然历经多番磨难，遭受众多羞辱，少年安徒生却为自己踏上了演艺之路而兴奋莫名……或者说他以为会如此。他排练名剧中的场景，练习写悲剧，而且在丹麦皇家剧院的芭蕾舞学校学习舞蹈。但到17岁时，他变声了，不灵活的体形也不适合芭蕾舞表演。最后他被勒令退学，理由是他毫无表演前途。

换作是别的年轻人，受此打击可能会从此一蹶不振；但终其一生，安徒生一直拥有强烈的自信，无论面对多少否定，也从未对自己的价值失去信心。

在乔纳森•柯林（他是一个位高权重的法院官员和皇家剧院的财务主管）的帮助下，安徒生被送到斯莱格思镇的一所语法学校，并在那儿呆了4年。回到哥本哈根后，他躲进自己的阁楼小室，开始撰写他的第一部作品―《1828和1829年从霍尔门运河至阿迈厄岛东角步行记》。年仅22岁的安徒生完成了这部睿智且富含想象力的小说。故事讲述了一位年轻诗人在一个夜里穿行于哥本哈根的大街小巷的经历。该书风靡一时，一面世便旋即售磬。

29岁时，他满怀激情地开始童话创作。1835年5月，收集了他最早4个故事的童话集面世。安徒生一生共写了210个童话。这些故事被欧洲各国竞相翻译，而后又被流传至世界各地，使他成为当时最有名的斯堪的纳维亚作家。

我们现在也许很难理解这些童话何以产生如此大的轰动，因为丹麦文学中从未出现过这类作品。纵观（当时）整个欧洲，儿童小说领域尚处于早期发展阶段，旨在教育和灌输道德观的枯燥故事仍然占据着主导地位。而安徒生奇妙的故事如同在一顿稀粥之后的巧克力蛋糕一样丰富多彩。他对孩子的叙事口吻平易温和，而非高高在上地向他们说教。这些故事滑稽讽刺，而非教条式的启蒙。不同于格林兄弟收集的那些发生在很久以前某个遥远之地的故事，安徒生把故事的背景设在哥本哈根和其它为人熟知的地方，将充满想象力的描述与日常故事结合起来，为日常家庭用品赋予了个性与魔力。

安徒生剧本范文第5篇

安徒生的这个童话，是一个纯粹的爱情故事，故事的结局以悲剧结束，给人们留下了叹息。其实，我不知道安徒生在童话里表达的悲剧爱情的意义是什么，因为我弄不懂这个童话到底是写给儿童的还是成人的。如果这个童话故事是写给儿童的，那故事的悲剧性很显然超出了儿童的阅读期待，让儿童无法在欣赏中体会到童话的完美性。一般来说，童话故事的爱情都是相当完美的，而且适合儿童的兴趣，基本都是王子公主的完美结合。读了《海的女儿》，我认为，安徒生这个童话故事应该是写给成人的，故事中的悲剧爱情和痴痴苦恋的意义，只有成人才能领会。

这是一个一厢情愿的单相思童话。童话中的主人公生活在海的深处，是一条美人鱼。她可以在海底世界里度过三百多年的岁月，然后化为泡沫，结束她一生的幸福。她的寿命比人类长几倍，但是她没有人类特有的那种“不灭灵魂”。她喜欢上了一个王子，为了得到一份人类的灵魂，她放弃了海里的生活，她忍受了这些痛苦把自已的鱼尾换成了一双人腿。那个王子和人间女子结婚了，她的希望没有了。她如果要继续成为“海的女儿”，就要刺死那个王子，然后就可以回到她的家人中去，回到属于她自已的世界。但她没有这样做却自已投入海中化为了泡沫。

健康，是一种只有失去了才懂得珍惜的东西。用一座金山，换取一双明亮的眼睛，有人愿意做这个买卖吗？我想是没有的。用一座金山，换永远踩在刀山上那样的痛楚，有人愿意吗？至少我是不愿意的。失去了健康，拥有再多的财富又有什么乐趣？然而有时候，爱情，却比健康来的更加重要，对小人鱼，就是如此。巫婆显然也知道这些，对于小人鱼，重要的不是珍珠制成的花环，也不是象征着高贵身份的大牡蛎，而是她引以为傲的嗓音……但美人鱼却愿意用这一切来换一个不灭的灵魂。后面的故事，就如巫婆所说，是一个悲惨的结局。人鱼变成了泡沫。她没有得到王子的爱情，也没有将尖刀刺进王子的胸膛，以换回三百年快乐的生命。人鱼变成了泡沫，这是故事的悲剧结局。

然而，安徒生在歌颂这种悲剧性的爱情的同时，是否也为这样的结局而无奈呢？或许，安徒生在这篇童话里揭示的是爱情的悲剧性一面，还有人鱼公主的美丽与纯真。美丽、执着、纯真而伟大的人鱼，也许是安徒生心里的一个完美的人鱼！